Spirited
Away
To the dismay of many, the astonishingly talented anime director
Hayao Miyazaki announced recently that this latest work, Spirited
Away (Sen to Chihiro no Kamikakushi), is to be his last. Fans
hoping for a spectacular finale work on the lines of Princess
Mononoke will be disappointed, for Spirited Away, despite
its often fantastical imagery, is a quiet and understated
film more akin to Kiki's Delivery Service or My Neighbour
Totoro. This should not detract from its charms, however --
the film has all the wonder and brilliance of other Miyazaki
films and is in some ways one of his most compelling.
The story begins as Chihiro, a young girl not too happy with
the way her life is going, is on her way to a new school with
her parents. A well-intentioned detour through the woods,
however, leads them to a decrepit old temple with a strangely
beckoning tunnel entrance. On the other side they find a deserted
town of shops and stalls and the father, smelling food, finds
a single shop which is open but unattended and together with
his wife begins to help himself to the plentiful food. Cihiro
is still spooked and, not wanting to anger the absent shop-owner,
walks around a bit. Suddenly it is night and when she goes
back to get her parents they have turned into giant pigs,
stuffing their faces full of food. A lot of rather surreal
events unfold and Chihiro is left with the task of surviving
in this strange world until she can somehow save her parents
and escape.
As with all of Miyazaki's films, Spirited Away is an experience
in which the sheer joy of discovering along with Chihiro the
weird and wonderful world in which she finds herself accounts
for much of its charm. No-one does peculiar worlds quite like
Miyazaki, and in Spirited Away he draws loosely on Japanese
mythology and strongly on his own boundless imagination to
create a small yet intricate pocket universe populated by
all manner of creatures. To put things in perspective, of
all the myriad characters in the film, only Chihiro, her parents
(briefly) and one or two others are actually humans. There
are dragons and talking frogs, mud monsters and industrial
spiders, witches and ghostly shades -- all given a unique
and believable life of their own.
Special mention must be made of the main character, Chihiro
herself. Physically, she is perhaps unique for a Miyazaki
film in that she does not resemble the Nausicaa template most
of his other female leads have been drawn from. Rather, she
looks more like an older version of Setsuko from Grave of
the Fireflies, complete with puffy cheeks and downcast expression
with a personality that can only be decribed as "stroppy"
-- angry and miserable, and unwilling to do anything out of
the ordinary. In the course of the film, however, she matures
and finds the things she truly values -- though not in the
clichéd and obvious manner of other, similar, stories.
Both the artwork and animation quality are absolutely superb,
and despite the restrained nature of the film, actually surpass
the heights seen in Princess Mononoke. The music is as good
as any Studio Ghibli film -- that is to say, excellent. Everything
is perfectly calculated to the mood of the scene; the ominous,
vaguely African voodoo theme that accompanies the masked ghost
in its early scenes is particularly noteworthy. Also, there
are many scenes that have no music at all, and this vastly
adds to rather than subtracts from the effect
There are plenty of light-hearted moments in the film, ranging
from the complaints made by the hotel workers about Chihiro's
unpleasant human odour, to the amusingly weird antics of a
fat mouse and tiny bird she befriends after a rather odd series
of circumstances, to an utterly priceless sequence involving
Chihiro's first encounter with the tiny hardworking spiders
who feed the smelter in the basement. The interactions of
the various characters are a joy to watch and are often quite
funny.
Overall, Spirited Away is yet another masterpiece from the
mind of Miyazaki, it is a gentle and thoughtful film that
in itself is fitting ending to a great career.
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